By Fern White
We work side-by-side on the assembly line down by the plant
Lightning fast we insert parts that fuel the zeros and ones
That zooms down the info highway
We grab lunch at 12:00 then knock off at 5:00
Then jump in out trucks for the long evening drive
We do the same things to get the job done
So, how come your hour is a lot more plum?
Do your eggs, your milk cost more than mine?
Is you gas, your oil, a lot more prime?
Does the air you breathe come at a premium?
I’m just wondering, ‘cause I don’t pay none
We do the same things to get the job done
So, how come your hour is a lot more plum?
We stand at the machine 8 hours a day
Side by side we conquer the computer world’s stays
Does your instep, your heel swell and throb much more than mine,
And when our hands get nicked but sharp objects
Do you bleed liquid gold, and I blood, do you?
We do the same things to get the job done
So, how come your hour is a lot more plum?
I am equal to you: though you are he and I am she
I am equal to you; I too am the bread winner of my family
I am equal to you, my 77 cents does not equal your dollar
I am equal to you, but why is progress so slow in coming?
We do the same things to get the job done
So, how come your hour is a lot more plum?
(Author’s note, this poem won second place in the CUNY Kingsborough Poetry Competition in Spring 2013
Toni Morrison’s Beloved:
The Power of Love, the Power of Memory
The novel Beloved written by Nobel Laureate and Pulitzer Prize winner Toni Morrison; chronicles a 20 year period (1850-1875) in the life of Sethe a slave women – the dehumanizing horrors she endured, the events that triggered her escape to freedom as well as events that took place after her escape.
Sethe was born the state of Kentucky to an African slave woman she hardly knew. Her mother was pointed out to her a few times by her care-giver and an eight year old girl her also cared for her. Memories of her childhood are suppressed and most of what she cares to remember begin at age 13 when she was sold to the Garners proprietors of Sweet Home, a plantation where a “lax” sort of slavery was practiced; because of this, Sethe and the other slaves Halle, Sixo, Paul D, Paul A and Paul F are “treated well.” Before Sethe’s arrival, there were no female slaves at Sweet Home. Former house slave Baby Suggs had been freed. Her son Halle, the last of her eight children had hired himself out on Saturdays and Sundays for five years to buy her freedom. Sethe was her replacement. Sethe was the object of desire for all of Sweet Home’s men. It took her a year to make up her mind, but she chose Halle for her husband. This is in part because she admired the devotion he showed by buying his mother’s freedom. On the eventual death of Mr. Garner, Mrs. Garner, herself ailing, asked her brother-in-law to help her run the farm. The man, dubbed school-teacher by the slaves, along with his nephews became a dehumanizing and sadistic force turning their “idyllic existence” into a life of torture. The slaves plotted to escape.
During this escape plot, Sethe who is in an advanced state of pregnancy sends her three children ahead of her to her mother-in-law’s house in Cincinnati, Ohio. This includes her sons Howard and Buglar and her yet to be named young daughter. She plans to join them there later. However, the planned escaped is found out by school-teacher and some of the slaves are caught. Sixo and Paul F are murdered, but Paul D is brought back to the plantation. A bit, not unlike that of a horse is affixed to his mouth. Fresh from the capture of Paul D and the murder of Paul F and Sixo, the Garner boys rape Sethe in a barn. One holds her down while the other ‘stole’ the breast milk she is saving for her baby who’s is gone ahead of her to Ohio. School-teacher watches the whole thing and takes notes. School-teacher is not the only one watching. Unbeknownst to Sethe, and her attackers, Halle her husband lays hidden in a loft witnessing the act. He is paralyzed by what he sees and it drives him out of his mind. It took her nearly 20 years to find out what happened to her husband. Sethe still shares a good rapport with Mrs. Garner and reports her family member’s transgression to her.
Sethe is whipped within an inch of her life for talking. Despite the open wounds on her back and being almost nine months pregnant, Seth escapes across the Ohio River. She would have died except for the assistance of Amy Denver, a white girl on her way to Boston to find velvet, and who tends her wounds and helps her to deliver her baby. She calls the baby Denver in Amy’s honor. Following her dangerously eventful journey, Sethe arrives atBaby Sugg’s house – 124 Bluestone Road, where she spends 28 wonderful days in freedom – “Days of healing, ease of talk. Days of company: Knowing the names of 40, 50 other Negroes…One taught her the alphabet; another to stitch. All taught her how it felt to wake up at dawn and decide what to do with the day. ” (111) Tasting this freedom adds another dimension to Sethe’s already complex personality. One fateful day, school-teacher, a nephew, a slave catcher and the town’s sheriff show up at 124 to take Sethe and her children back to Sweet Home. Sethe runs to the back shed where she attempted send them back to God. This is what the four saw; “Inside, two boys bled in the sawdust and dirt at the feet of a nigger woman holding a blood-soaked child to her chest with one hand and an infant by the heels in the other. She did not look at them; she simply swung the baby toward the wall planks, missed and tried to connect a second time, when out of nowhere- in the ticking time the men spent staring at what there was to stare at- the old nigger boy, still mewing, ran through the door behind them and snatched the baby from the arch of its mother’s swing.” (Pg. 175) Denver is unharmed, while Howard and Buglar recover, however, her “crawling already?” baby girl did not make it. Sethe is taken to jail. Following Sethe’s hard-fought freedom and return to 124, a baby ghost unleashes its fury on the house. Eighteen years later, it is chased away when Paul D, the last of the Sweet Home men turns up out of the blue. Later, the ghost, needing to be near its mother, returns in the body of a young woman, and is welcomed back into the house on Bluestone Road. She told the household of Sethe, Paul D and Denver that her name is Beloved. Sethe does not or chooses not to recognize that this is the name carved on the headstone of her dead baby. Denver however, recognizes Beloved as her dead sister.
Can a woman’s tender care
Cease towards the child she bares?
Yes, she may forgetful be,
Yet will I remember thee
The central story in Beloved around which all the other vignettes revolve, is Sethe’s murder of her baby daughter. She demonstrates that she loved her children fiercely, but then turned around and tried to kill them. The knee-jerk reaction would be one of disgust and scorn. But faced the unique sets of circumstances, why wouldn’t she. In her defense, Sethe and the other main characters in Beloved are broken people, broken by the circumstances of their birth. Buby Suggs bore eight children; all except Halle were traded away to other farms, never to be seen again the knowledge of that broke her. The only family Paul D knew were Paul F and Paul A the other men of Sweet Home – not having roots broke him. From the day she was born, Sethe has been systematically dehumanized, broken-in, she saw her mother maybe less than a dozen times, the last time she saw her mother she was a decomposing corpse who had been lynched. By virtue of the life she was born into, Sethe was broken person.
With her escape and the experience of freedom, Sethe had started to heal, she underscored this in a conversation with Paul D she once said, “I don’t have to tell you about Sweet Home – what it was – but maybe you don’t know what it was like for me to get away from there…I did it. I got us all out… We was here. Each and every one of my babies and me too… it was a kind of selfishness I never knew nothing of before. It felt good. Good and right. I was big and deep and wide and when I stretched out my arms, all my children could get in between.
In comparison to other slave owners, the Garners might have treated them humanely – as humanely as one treated a beloved pet. The animal treatment continued after Mr. Garner died, but his brother, school-teacher upped the anti. Sethe and the other slaves on Sweet Home were subject to physical abuse, emotional degradation and Sethe the only female was brutally raped while school-teacher watched and took notes. Why then would she, after experiencing freedom and self-determination, want her children to go back to slavery? Sethe’s justification for her ultimate act of sacrifice is articulated while she explained the events to Paul D shortly after he was clued in to her act of violence. “She was squatting in the garden and when she saw them coming and recognized schoolteacher’s hat, she heard wings. Little hummingbirds stuck their needle beaks right through her headcloth into her hair and beat their wings. And if she thought anything, it was No. No. Nono. Nonono. Simple. She just flew. Collected every bit of life she had made, all the parts of her that were precious and fine and beautiful, and carried, pushed, dragged them through the viel, out, away, over there where no one could hurt them…where they would be safe”(192).
Sethe’s experience of slavery is not unlike that of Jamaican National Hero Samuel Sharpe, who after organizing the Christmas Rebellion of 1831 was arrested, tried and sentenced to be hung. The Christmas Rebellion was the last stand of Jamaican slaves and lead to the proclamation of freedom less than two years later. Just before being lead to the gallows Sharpe famously said, “I’d rather die on yonder gallows, than live in slavery.” The passion that both Sharpe and Sethe feels and strong, and emotion only felt every once in a lifetime – Sharpe, happy to go to the gallows, Sethe happy to end her children’s life than allowing their enslavement to continue.
Unless you are Sethe, or Sharpe or someone who is stripped of self-determination and dignity, then you would recoil at the thought of a woman systematically cutting the throat of her children. Indeed, witnesses white and black alike were dumbfounded by the act she had committed, and unless you were Sethe there’s no way of understanding. School-teacher’s nephew couldn’t understand it – with legs shaking, he asks, “what she gone and do that for? As sadistic as school-teacher was, it shook him to his core; “the woman schoolteacher bragged about, the one he said made fine ink, damn good soup, pressed his collars the way he liked besides having at least ten breeding years left. But now she’d gone wild, due to the mishandling of the nephew who’d overbeat her and made her cut and run. Schoolteacher had chastised that nephew, telling him to think-just think-what would his own horse do if you beat it beyond the point of education (176). It is clear then from school-teacher’s musings that Sethe’s status on Sweet Home farm was barely better than a beast of burden. Sethe – a person; a human being with self-awareness and self-worth and newly found independence, and whose feelings are being compared to that of a horse. Who would want that for themselves or for their children?
Beloved, the novel is also about love, pure and simple. It is also about maternal love, brotherly/sisterly love and self-love. “Look like a loved them more after I got here. Or maybe I couldn’t love them proper in Kentucky because they wasn’t mine to love. But when I got here, when I jumped down off that wagon – there wasn’t nobody in the world I couldn’t love if I wanted to [Sethe](191).” Lynda Koolish solidifies this point. “While maternal love is certainly a focus of the novel, the male protagonists in this novel also struggle towards a determination of appropriate loving within which they can survive. In the absence of that stipulation, namely survivability, Halle loves too much and ends up with his face in the butter; Sethe’s companion and lover Paul D, haunted by the consequences of what he see as Halle’s and later Sethe’s ‘too thick love,” is determined to love small and suffers enormously for the consequences of his decision. (Koolish 170)
The novel Beloved is also about how memory of the past can be so burdensome, it holds us back like “the best Georgia hand-forged chains” keeping us from enjoying the now and looking forward to the future. “Much of the novel explores the extraordinarily anguishing interlude of time during which virtually all the protagonist, not just Sethe, exist almost as dream walkers to expend their psychic resources keeping the past at bay (Koolish). The specter of Beloved is her mother’s memory of her, her guilt, her shame for having killed her own child. Beloved is also her unwillingness to let go of that memory of what Beloved might have become if she had been allowed to grow up. Koolish points out, “That Beloved exists as the repository of unresolved feelings suggested by the fact that Stamp Paid confirms that initially Beloved is only seen by Sethe, Denver, Paul D, and himself each of whom has an enormous burden of guilt, shame, sadness, and fear.” (Koolish). Beloved’s ghost being chased away by Paul D symbolizes a time when Sethe puts the specter of Beloved out of her mind, if only for a little time so that she can enjoy more pleasant memories with Paul D with whom she has a common past which does not include Beloved. Her pre-occupation with Paul D distances her from Beloved, Denver is not happy with this situation, as Paul D has robbed the household of Sethe’s attention – when Sethe gives attention to Beloved, Denver benefits. Koolish makes this point about healing and memory “For healing to take place, dissociation must give way to the full reclaiming of that wounded self, the reintegration of that denied self as part of the core of one’s being. Each character in Beloved goes through a process by which he or she gains not only an awareness of that shadow, but an introspective awareness of the psychological origins of the split-off self. The shattering and reclaiming of memory proceeds in similar ways for most of the central protagonists of the novel. The memory of what has happened to them is pushed aside, externalized, repressed, planed in a box, given over to someone else, but where psychic disintegration has taken place, each character splits into a “core self” and “alters,” none of whom possess the others’ memories.”
As they get comfortable with each other at 124 Bluestone Road, Beloved returns, embodied in a young girl, unable to stay away, needing to be fed by Sethe’s love. She is as needy as a baby, thriving on the love of Sethe, and to a lesser extent, Denver’s love and when Paul D becomes wary of her, symbolically forces him to give himself, the only way he could “love” her. “Touch me on the inside” she pleads “call out my name,” she begs. As she takes more love than anyone in this house has to give, she saps their spirit and Sethe sinks into a deep depression, Paul D becomes a drunkard, living in the church basement and Denver struggles to find herself, the find her independence, to let go off the shackled of the past and to love herself. Love takes a lot away from 124, but love also gives back. Lead by Stamp Paid, the community bonds together to save the family at living 124. Neighborly love – what more can one ask for.
“Mine is an unchanging love,
Higher than the heights above,
Deeper than the depths beneath,
Free and faithful, strong as death”
Cowper, William. Hark My Soul, English Hymn 1731-1800)
Koolish, Lynda. To be Loved and Cry Shame”: a Psychological reading of Toni Morrison’s Beloved. San Diego State University 2003.
A child weaned on poison finds comfort in abuse
Violence in Women’s Literature
Observations from the book Sharp Objects – A Novel by Gillian Flynn
The book Sharp Objects, by Gillian Flynn describes a troubled girl with a dark past from a moneyed but troubled family who are the epicenter of a troubled town. The girl in question, Camille Preaker, covers the crime beat at Chicago’s fourth largest newspaper – The Chicago Daily Post. Thumbtacks, steak knives and razor blades are some of Camille’s sharp objects. Camille is a cutter. She carves negatively connoted words her own flesh, eleven of which are synonyms for anxious (60). Random terms – kitty, curls and cupcake; wicked, petticoat and queasy speak to her moods. The words all had one thing in common; they marked stressful events in Camille’s life. Says Camille; “sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby just under my left breast. I can quiet them down by thinking vanish, always hushes and regal, looking over the other words from the safety of the nape of my neck. (62)
Camille’s troubles are many and complex, they spring from a painfully unhappy childhood where she longed for the love and affection of her mother, and daydreamed about finding her real father. “I’ve long since given up trying to discover anything about my dad… I can’t stand to think about him too specifically,” she laments. Camille cut herself the first time when she was thirteen, the same year she lost her baby sister; started on her period, explored her sexuality and became Wind Gap’s most beautiful and sought after teenager. The violence spectrum is covered end-to-end in Sharp Objects, the weapons of are both tangible and intangible. The sharp objects to execute gruesome murders, psychological torture, self-inflicted wounds, mental torment and sexual violence. But perhaps the sharpest objects are mothers who inflict torture upon their children taking away their ability to become normal members of society. Camille’s grandmother Joyo made Adora into a sociopath and Adora in turn passed on the sickness to her children. So cold an unfeeling was Adora that she was not afraid to tell Camille how she felt. “I think I finally realized why I don’t love you,” she said. I tried to tell myself I was intrigued, like a scientist on the edge of a breakthrough, but my throat closed up and I had to make myself breath. “you remind me of my mother. Joya. Cold and distant and so smug. My mother never love me either, And if you girls won’t love me, I won’t love you.
Camille never went back to Wind Gap after College, she put down roots in Chicago and tried making a life for herself, but it is hard to cut herself off from the memories of Wind Gap and her mother, and shortly after a stint in a Psych ward to resolve self-injury, her editor Curry assigned her to a story in Wind Gap. She hadn’t been back in a decade, but someone was targeting little girls in the small Missouri Town. This could make her into a sought after journalist, so she made a long over-due, but reluctant return to the town of her childhood.
Author Gillian Flynn demonstrates how parental violence physically and emotionally killed three girls. Camille Preaker and her sisters Marian and Amma bear the brunt of this violence from their mother Adora, the mentally unstable supreme queen of Wind Gap. Amma and Camile are physically strong and are able to withstand the violence meted out to them by their mother, however, but no so much the emotional and mental pain which turned them both into damaged goods. Sadly, Marian’s body could not withstand the violence, and it killed her.
Adora devoted herself to making Marian sick and spent every waking hour caring for her at the expense of her oldest – Camille. This took a toll on her, she was the daughter of the town’s wealthiest and most influential person; however, being ignored had a colossal impact on her. “I’m here… when I am panicked, I say them aloud to myself, I’m here. I don’t usually feel that I am. I feel like a warm gust of wind could exhale my way and I’d be disappeared forever, not even a sliver of finger-nail left behind.” (95)
Camille’s youngest sister Amma was born while Camille was away in College, she barely knew her. Amma longed for the same care and attention as Camille did, and in a round-about way found out that Adora would care for her and be attentive if she was sick. Unlike Camille, she did not refuse Adora’s ministrations. The lonesomeness which inflicted damage on both Camille and Amma’s psyche had different results. Camille sort to self-injury, alcohol and drugs while in addition to drugs and alcohol Amma became a psychopath.
Mothers are powerful symbols in their daughter’s life, and often, the relationship between a mother and child shapes the child future. Both girls acquired impairments not unlike feral children who have little or no experience with care, affection and human social behavior. Their disorders that are in direct relation to the experiences they have survived. Adora did not have positive role models either; her mother Joya was also a stern, cold and detached woman from whom came no open display of affection. Children who do benefit positive stimulation, normal mother-to-child bonding and primary socialization and who suffer neglect in their formative years are incapable of living a normal life. Just as the body needs air, food and water for optimal health ones mental and emotional health also need to be nurtured. This idea is clear in Maslow’s Hierarchy of Needs, a theory developed 70 years ago by American psychologist Abraham Maslow. Maslow explains by using a five-section pyramid which has at the bottom basic fundamental human needs such as food and water. This is followed by safety and security needs like shelter, personal safety and health. This is followed by emotional needs which includes a sense of belonging, friendship, family a sense of being valued which helps to build self-esteem and self-respect which is at the fourth level of the pyramid. At the top is self-actualization where each person becomes their ideal self. Each sector of the pyramid forms the foundation of the complete person and deprivation in any area will impact a person’s ability to become their best self. Deprivation in any area of the pyramid would be violently abusive.
Psychologist also says that humans are naturally social. Therefore, in order to develop normally, children need adults to care for them, communicate with them, keep them safe, show them love and affection. In Sharp Objects Camille, Mariane and Amma did not benefit from a normal relationship with their mother. Yes their basic fundamental needs were met in that they had food and shelter, but they lived in a kind of emotional isolation in which they were starved of a healthy relationship with their mother. The pain that both Amma and Camille bear is very clear when in a drug infused haze Camille both girls level with each other, positive that they did not have their mother’s love. What’s more, they often felt they had to compete with their dead sister. “…It’s impossible to compete with the dead.” (64)
“She doesn’t like you.”“
“No she doesn’t.”
“Well she doesn’t like me either, just in a different way.”
“Did she like you less after Marian was dead?”
“So it didn’t help.” “What?” “Her dying didn’t help things.”
Adora was hateful cold and detached yet at the same time, needy. She poisoned her children so that she could minister to them. Not to spend quality time with them as normal parents try to do, but to do seem as a kind of nursing and mothering angel. Adora is classic textbook case for Munchausen by Proxy syndrome (MBPS). MBPS is a rare form of child abuse that involves the exaggeration or fabrication of illnesses or symptoms by a primary caretaker. The care-giver causes symptoms in the child through poisoning, medication, or even suffocation. Typically, the cause is a need for attention and sympathy from doctors, nurses, and other professionals. The first time we saw this in Shape Objects, was when Adora came to see Camille in hospital. When we were alone she talked about the foliage and some new town rule that required Christmas lights to taken down by January 15. When my doctors joined us, she cried and petted and fretted at me. She stroked my hair and wondered why I’d done this to myself. (64) It is also believe that it isn’t just the attention that’s gained from the “illness” of the child that drives this behavior, but also the satisfaction in deceiving individuals who they consider to be more important and powerful than themselves. Because the parent or caregiver appears to be so caring and attentive, often no one suspects any wrongdoing. Diagnosis is made extremely difficult due to the ability of the parent or caregiver to manipulate doctors and induce symptoms in their child. Adora’s middle child suffered for most her entire childhood , undergoing numerous test and hospital stays, however, Doctor have never been able to make a diagnosis. A nurse working with Marion however noted. “The child exhibits signs of illness after spending time alone with her mother, even on days when she had felt well up until maternal visits. Mother shows no interest in Marian when she is well, in fact seems to punish her. Mother holds child only when she is sick and crying.” (226). If only the nurse was taken seriously, then it could have saved Marian’s life. Camille would have been given a more normal up-bring Amma, if at all born, would not have become a serial killer a girl who “enjoyed hurting.” (251)